Sam Bahadur movie review: Easy and forgettable vignette reel helmed by Vicky Kaushal

Sam Bahadur movie review: Easy and forgettable vignette reel helmed by Vicky Kaushal

Sam Bahadur movie review

Sam Bahadur movie review: Director Meghna Gulzar’s latest dramatization captures the thrills and quirks of Field Marshal Sam Manekshaw’s life.

Cast: Mohammed Zeeshan Ayyub, Neeraj Kabi, Vicky Kaushal, Sanya Malhotra, and Fatima Sana Shaikh

Direction: Meghna Gulzar

Sam Bahadur movie review: Sam Bahadur has a lot going for it. For director Meghna Gulzar, this comes after two stellar successes in Talwar (2015) and Raazi (2018).

It stars Vicky Kaushal, who is no stranger to playing men on a mission against the country’s adversaries, having done it both in fiction and real life in Uri: The Surgical Strike (2019) and Sardar Udham (2021) Is. Finally, it is about the life of one of the country’s most distinguished soldiers, Field Marshal Sam Manekshaw, an almost mythical legend who survived after being shot nine times by a Japanese soldier in World War II Were.

Tossing and turning in your seat for long periods of time, you wait for that defining moment of cinematic genius. When writer Bhavani Iyer and director Meghna Gulzar try to make you laugh, you smile out loud. And yet, at the end of it all, Sam Bahadur’s point is completely beyond your comprehension.

I came out of the movie hall feeling as if I had been given the latest retelling of the annual online list you read on Manekshaw – a famous feeder of humble pie even for the then Prime Minister of the country, proud owner of a bushy handlebar moustache. And dispenser. Bangles and battlefield sutra.

Biopics are purely a sketch genre as most of them follow an episodic framework and are limited by the concepts of veracity and length. What makes a product of this genre memorable is how and where a film’s central conflict is located. In Oppenheimer, which came out earlier this year, it was the revocation of the hero’s security clearance and how the film wrapped itself around it. Sam Bahadur has chosen to tell the story of his famous hero without too much pyrotechnics, deviation or problematizing Manekshaw’s recent appropriation as the ultimate Sigma man. It is so dedicated to reaping the rewards of bringing his legend to life on screen that it presents a biography. In fact, the characterization of Manekshaw’s Pakistani counterpart, Yahya Khan (Mohammed Zeeshan Ayyub), gets more nuanced (but not without some scary aging makeup and prosthetics).

If there’s one thing that keeps you hooked to this film, it’s Vicky Kaushal. Govinda After a largely disappointing year in terms of the roles written for him in Naam Mera, Zara Hatke Zara Bachke and The Great Indian Family, Sam Bahadur Kaushal brings to work the magic that he did in Sardar Udham, Raazi (2018) Has shown. and Masan (2015).

In the hands of a lesser actor, Manekshaw’s gait, affected tone and widely known innate charm and quick wit might have seemed like a caricature, but the always confident skill maintains a firm grip on the character. His offscreen candor and self-accepting manner beautifully translate into the hero’s optimism and unwavering belief in his abilities.

Sanya Malhotra, as Sam’s attractive wife Sillu Bode, brings an emotional anchor to the Manekshaw family, complementing her whimsical energy with the ease she has come to display recently in Jawan and Kathal. It is repeatedly hinted in the film that Manekshaw’s victory has come at the expense of Sillu and his daughters. However, Fatima Sana Shaikh’s portrayal as Indira Gandhi is largely shaky which is largely blamed on the casting choice.

The film’s music is loud, distracting, and tasteless (the war anthem Badte Chalo is incredibly bland and inelegant), which is surprising given the obvious musical ability of Shankar-Ehsaan-Loy and the trio’s last great collaboration with Gulzar, Raazi. Is. In addition to the moderate background score, Sam Bahadur also makes effective use of archival footage to sustain the narrative and bring a documentary gravitas to the proceedings, but this also contributes to the film’s passive linearity and staccato time leaps.

Sam Bahadur can be seen as sweet and charming in different parts of Manekshaw’s life, which together form the story of the film. These are extremely well shot, designed and acted (props to cinematographer J.I. Patel’s work on the air strikes and war scenes in Burma) and might make this larger-than-life vignette reel worth watching in theaters Is. But the threads that bind them together, Such as Manekshaw’s banter with the cook carrying his radio set, the ballroom meeting of the leading man and his lady – lovely – or the sequence where he is seen making a hugely popular announcement about the Gurkhas and fear, feeling disjointed. Furthermore, some cuts are really necessary. dull because the tone of the movie is primarily raucous.

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